By that point, the film’s thematic backbone - and Sharp’s own experiences - were driving the story anyway. With the exception of one scene, in which an actor backed out and had to be recast, everyone showed up.
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Sharp added that she ended up not really needing Plan B, as all of the friends she enlisted for aid were enthusiastic to participate in the project. “So if someone doesn’t show up and I need a different actor, I could have an agent saying, ‘I don’t like the idea of that kind of an actor’ or whatever, and then it changes.”
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“I needed a Plan B, because I was using all my friends and you can’t always count on them,” she said. Sharp said, however, that it was also a practical choice. The gambit works in tandem with one of the film’s underlying themes: The difficulty of remaining true to one’s artistic sense in a system in which any work will be subject to the whims of agents, producers and studios. Actors are replaced, characters are added and some characters’ motivations shift. This device runs the length of the film: As Zoe receives more and more advice from script doctors, film industry execs and her own friends, Susan’s story changes. “Make her a barista!”Īnd suddenly, we’re back with Susan on the island, where she tells a local: “I’m a barista. “We need to be able to relate to her - give her a job,” the executive insists. Jennifer Sharp recently debuted her new film, “Una Great Movie.” (Submitted photo) The film cuts to an office, where a suit-wearing executive tells another woman - screenwriter Zoe (JoNell Kennedy), the story’s other main character - that this is “not a great movie.” Within a few scenes, however, that narrative is interrupted by an off-screen voice: “I’m losing interest,” the voice says.
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Susan wanders the island, meeting locals and trying to find the man she once knew. Audiences begin by following the journey of Susan (Numa Perrier), a woman who visits an island in Mexico to rekindle a connection with a lost love 10 years after the flame burned out. “Una Great Movie” - “una” being the Spanish word for “a” - is really a movie within a movie. She could cast Black and Mexican actors as the film’s leads and supporting cast.Īnd she could include her friends from the island in the production of the film she’d promised to make all those years ago. Within that budget, she could make the kinds of decisions denied to her by all the rejections she’d received over the years. Sharp said that, in addition to fundraising, she financed the film with credit cards.īut she also knew that funding the movie herself meant she had total creative control. She’d also have to find that budget herself. She’d have to rework her script to be manageable on an independent film budget. “I had hoped that someone would buy it or produce it, and I realized that wasn’t happening - I had to do it myself,” Sharp said. She sent her work to agents for consideration, but received rejection after rejection.īy 2016 - more than 16 years after her original declaration on the island - Sharp still hadn’t returned to make her movie.
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She also teaches directing, producing and production design at the New York Film Academy.Īll the while, she was writing feature-length scripts - including revisions of the original script she’d penned in Mexico. In the intervening years, Sharp worked - and continues to work - in the film industry as a production designer, art director and editor, mostly on independent films, but also on corporate projects. It ended up taking a little longer than she expected. Sharp said she made a host of friends on the island, and told them all: “I’m going to make a movie here someday.” “Six months later, I went back and lived there, and I wrote my first script there,” she said. From almost the moment she stepped on shore, she said, she knew the island was her muse. “And I was like, ‘Oh, this is where I belong - behind the camera, not in front of it,’” Sharp said.Īfter graduating from Tisch, and realizing that filmmaking was where her creative heart rested, Sharp visited a remote island in Mexico in 1999. Hungry to try something new, Sharp wrote and directed a short film to stretch her dramatic muscles. Sharp said it was difficult finding compelling, challenging acting roles. It all began after Sharp studied acting at NYU’s Tisch School of the Arts.